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	<title>Copyleft Attitude Comments</title>
	<link>http://artlibre.org</link>
	<description>Bienvenue sur le site des utilisateurs de la Licence Art Libre.</description>
	<pubDate>Tue, 13 May 2008 06:04:59 +0000</pubDate>
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 		<title>Comment on Licen&#231;a da Arte Livre by: Sobre o desvio &#171; do desvio&#8230;</title>
		<link>http://artlibre.org/licence/lal/pt/#comment-321</link>
		<pubDate>Mon, 12 May 2008 16:01:22 +0000</pubDate>
		<guid>http://artlibre.org/licence/lal/pt/#comment-321</guid>
					<description>[...] Os textos constantes deste sítio electrónico baseiam-se num paradigma de disseminação democrática do saber, isto é, estão disponíveis em copyleft e inserem-se num modelo de pensamento que se institui como crítica aos dois grandes afrodisíacos do nosso tempo: o poder e o dinheiro (e, consequentemente, o poder do dinheiro e o dinheiro do poder!).  [...]</description>
		<content:encoded><![CDATA[	<p>[&#8230;] Os textos constantes deste sítio electrónico baseiam-se num paradigma de disseminação democrática do saber, isto é, estão disponíveis em copyleft e inserem-se num modelo de pensamento que se institui como crítica aos dois grandes afrodisíacos do nosso tempo: o poder e o dinheiro (e, consequentemente, o poder do dinheiro e o dinheiro do poder!).  [&#8230;]
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 		<title>Comment on Free Art License 1.3 by: License to Freedom &#171; Thoughts - AfterLogs</title>
		<link>http://artlibre.org/licence/lal/en/#comment-320</link>
		<pubDate>Sat, 10 May 2008 07:13:16 +0000</pubDate>
		<guid>http://artlibre.org/licence/lal/en/#comment-320</guid>
					<description>[...] But, those guys didn&amp;#8217;t keep art in mind when they initially started the Free Software Foundation. They were more software oriented. Luckily, all weren&amp;#8217;t. There are a few licenses dedicated primarily to art of any kind, digital or hard copies. Jackpot! Just what I was searching for. One particular license is the Free Art License. [...]</description>
		<content:encoded><![CDATA[	<p>[&#8230;] But, those guys didn&#8217;t keep art in mind when they initially started the Free Software Foundation. They were more software oriented. Luckily, all weren&#8217;t. There are a few licenses dedicated primarily to art of any kind, digital or hard copies. Jackpot! Just what I was searching for. One particular license is the Free Art License. [&#8230;]
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 		<title>Comment on Free Art License 1.3 by: News &#187; Contest/Submission Reminders</title>
		<link>http://artlibre.org/licence/lal/en/#comment-319</link>
		<pubDate>Mon, 05 May 2008 10:04:57 +0000</pubDate>
		<guid>http://artlibre.org/licence/lal/en/#comment-319</guid>
					<description>[...] Finally, the deadline for the SELF Documentary Contest, in which participants are encouraged to produce a documentary about the creation of free knowledge and education in the digital era, is approaching on May 31. SELF, &amp;#8220;an international project aiming to provide a platform for the collaborative sharing and creation of free educational and training materials on Free Software and Open Standards&amp;#8221;, is holding the contest &amp;#8220;to strengthen the SELF Platform, to centralise, transmit and enlarge the available knowledge on Free Software and Open Standards and to raise awareness and contribute to the building of critical mass for the use of Free Software and Open Standards.&amp;#8221; Submissions must be released under a CC BY license or a Free Art license. [...]</description>
		<content:encoded><![CDATA[	<p>[&#8230;] Finally, the deadline for the SELF Documentary Contest, in which participants are encouraged to produce a documentary about the creation of free knowledge and education in the digital era, is approaching on May 31. SELF, &#8220;an international project aiming to provide a platform for the collaborative sharing and creation of free educational and training materials on Free Software and Open Standards&#8221;, is holding the contest &#8220;to strengthen the SELF Platform, to centralise, transmit and enlarge the available knowledge on Free Software and Open Standards and to raise awareness and contribute to the building of critical mass for the use of Free Software and Open Standards.&#8221; Submissions must be released under a CC BY license or a Free Art license. [&#8230;]
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 		<title>Comment on Free Art License 1.3 by: KATALOG-STRON.AZ.PL - CIEKAWE INFORMACJE Z RÓŻNYCH STRON &#187; Contest/Submission Reminders</title>
		<link>http://artlibre.org/licence/lal/en/#comment-318</link>
		<pubDate>Fri, 02 May 2008 07:00:37 +0000</pubDate>
		<guid>http://artlibre.org/licence/lal/en/#comment-318</guid>
					<description>[...] Finally, the deadline for the SELF Documentary Contest, in which participants are encouraged to produce a documentary about the creation of free knowledge and education in the digital era, is approaching on May 31. SELF, &amp;#8220;an international project aiming to provide a platform for the collaborative sharing and creation of free educational and training materials on Free Software and Open Standards&amp;#8221;, is holding the contest &amp;#8220;to strengthen the SELF Platform, to centralise, transmit and enlarge the available knowledge on Free Software and Open Standards and to raise awareness and contribute to the building of critical mass for the use of Free Software and Open Standards.&amp;#8221; Submissions must be released under a CC BY license or a Free Art license. [...]</description>
		<content:encoded><![CDATA[	<p>[&#8230;] Finally, the deadline for the SELF Documentary Contest, in which participants are encouraged to produce a documentary about the creation of free knowledge and education in the digital era, is approaching on May 31. SELF, &#8220;an international project aiming to provide a platform for the collaborative sharing and creation of free educational and training materials on Free Software and Open Standards&#8221;, is holding the contest &#8220;to strengthen the SELF Platform, to centralise, transmit and enlarge the available knowledge on Free Software and Open Standards and to raise awareness and contribute to the building of critical mass for the use of Free Software and Open Standards.&#8221; Submissions must be released under a CC BY license or a Free Art license. [&#8230;]
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 		<title>Comment on Free Art License 1.3 by: Contest/Submission Reminders - Creative Commons</title>
		<link>http://artlibre.org/licence/lal/en/#comment-317</link>
		<pubDate>Tue, 29 Apr 2008 19:17:41 +0000</pubDate>
		<guid>http://artlibre.org/licence/lal/en/#comment-317</guid>
					<description>[...] Finally, the deadline for the SELF Documentary Contest, in which participants are encouraged to produce a documentary about the creation of free knowledge and education in the digital era, is approaching on May 31. SELF, &amp;#8220;an international project aiming to provide a platform for the collaborative sharing and creation of free educational and training materials on Free Software and Open Standards&amp;#8221;, is holding the contest &amp;#8220;to strengthen the SELF Platform, to centralise, transmit and enlarge the available knowledge on Free Software and Open Standards and to raise awareness and contribute to the building of critical mass for the use of Free Software and Open Standards.&amp;#8221; Submissions must be released under a CC BY license or a Free Art license. [...]</description>
		<content:encoded><![CDATA[	<p>[&#8230;] Finally, the deadline for the SELF Documentary Contest, in which participants are encouraged to produce a documentary about the creation of free knowledge and education in the digital era, is approaching on May 31. SELF, &#8220;an international project aiming to provide a platform for the collaborative sharing and creation of free educational and training materials on Free Software and Open Standards&#8221;, is holding the contest &#8220;to strengthen the SELF Platform, to centralise, transmit and enlarge the available knowledge on Free Software and Open Standards and to raise awareness and contribute to the building of critical mass for the use of Free Software and Open Standards.&#8221; Submissions must be released under a CC BY license or a Free Art license. [&#8230;]
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 		<title>Comment on Antoine Moreau Expositions mode d&#8217;emploi n°6. by: pomesie</title>
		<link>http://artlibre.org/archives/news/292#comment-316</link>
		<pubDate>Wed, 23 Apr 2008 19:40:11 +0000</pubDate>
		<guid>http://artlibre.org/archives/news/292#comment-316</guid>
					<description>Bonjour

J'ai vu l'expo aujourd'hui avec ma fille, un peu par hasard et tout c'est tout de suite éclairé. aussi je vous laisse un texte de ma compostion pour aider à comprendre :

Ecoute ce qu’on te dit 



L’inverse de derrière
Oui c’est bien le devant,
Mais si c’est à l’envers 
C’est qu’le dos est dedans.

Ecoute ce qu’on te dit,
Car les trois quarts du temps
Tu dis qu’t’as pas compris
Et tu te fous dedans.

L’étiquette est dehors
Quand c’est mis à l’envers,
Mais parfois c’est l’ rebord 
Qui s’est mis de travers.

Ecoute ce qu’on te dit,
Car les trois quarts du temps
C’est ton œil qui faiblit 
Et n’est plus compétent.

Pourtant les non voyants
Sont toujours impeccables
Et pour eux seulement
Leurs doigts en sont capables.

Ecoute ce qu’on te dit,
Car les trois quarts du temps
Tu regardes la vie 
Tout en faisant semblant.

Utilise tes sens
Parfois ferme les yeux,
Là enfin tu entends
Et soudain tu vois mieux !

Ecoute ce qu’on te dit 
Car les trois quarts du temps 
Tu n’ t’ sers pas de l’ouïe
T’écoutes en regardant !

un deuxiéme plus approprié

La nature copie l’artiste


La tête dans les étoiles,
Les deux pieds sur la terre,
Les nuages sont des voiles 
Arrivant de la mer.

La nature est grandiose,
Surtout quand elle imite
En y mettant la dose,
Les tableaux d’un grand mythe !

Et encore de nos jours,
C’est un peu grâce aux peintres,
Défendeurs de l’amour,
De la courbe et du cintre 

Que l’on voit des tableaux.
La nature les copie,
On dirait une photo
Qu’elle a bien réussie !

Le plus perfectionniste,
Est-ce bien Dame nature,
Ou seulement l’artiste
Entre sienne et azur ?</description>
		<content:encoded><![CDATA[	<p>Bonjour</p>
	<p>J&#8217;ai vu l&#8217;expo aujourd&#8217;hui avec ma fille, un peu par hasard et tout c&#8217;est tout de suite éclairé. aussi je vous laisse un texte de ma compostion pour aider à comprendre :</p>
	<p>Ecoute ce qu’on te dit </p>
	<p>L’inverse de derrière<br />
Oui c’est bien le devant,<br />
Mais si c’est à l’envers<br />
C’est qu’le dos est dedans.</p>
	<p>Ecoute ce qu’on te dit,<br />
Car les trois quarts du temps<br />
Tu dis qu’t’as pas compris<br />
Et tu te fous dedans.</p>
	<p>L’étiquette est dehors<br />
Quand c’est mis à l’envers,<br />
Mais parfois c’est l’ rebord<br />
Qui s’est mis de travers.</p>
	<p>Ecoute ce qu’on te dit,<br />
Car les trois quarts du temps<br />
C’est ton œil qui faiblit<br />
Et n’est plus compétent.</p>
	<p>Pourtant les non voyants<br />
Sont toujours impeccables<br />
Et pour eux seulement<br />
Leurs doigts en sont capables.</p>
	<p>Ecoute ce qu’on te dit,<br />
Car les trois quarts du temps<br />
Tu regardes la vie<br />
Tout en faisant semblant.</p>
	<p>Utilise tes sens<br />
Parfois ferme les yeux,<br />
Là enfin tu entends<br />
Et soudain tu vois mieux !</p>
	<p>Ecoute ce qu’on te dit<br />
Car les trois quarts du temps<br />
Tu n’ t’ sers pas de l’ouïe<br />
T’écoutes en regardant !</p>
	<p>un deuxiéme plus approprié</p>
	<p>La nature copie l’artiste</p>
	<p>La tête dans les étoiles,<br />
Les deux pieds sur la terre,<br />
Les nuages sont des voiles<br />
Arrivant de la mer.</p>
	<p>La nature est grandiose,<br />
Surtout quand elle imite<br />
En y mettant la dose,<br />
Les tableaux d’un grand mythe !</p>
	<p>Et encore de nos jours,<br />
C’est un peu grâce aux peintres,<br />
Défendeurs de l’amour,<br />
De la courbe et du cintre </p>
	<p>Que l’on voit des tableaux.<br />
La nature les copie,<br />
On dirait une photo<br />
Qu’elle a bien réussie !</p>
	<p>Le plus perfectionniste,<br />
Est-ce bien Dame nature,<br />
Ou seulement l’artiste<br />
Entre sienne et azur ?
</p>
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 		<title>Comment on Free Art License 1.3 by: Mitja Schmakeit &#187; Blog Archive &#187; Copyright &#169;</title>
		<link>http://artlibre.org/licence/lal/en/#comment-315</link>
		<pubDate>Mon, 21 Apr 2008 23:07:04 +0000</pubDate>
		<guid>http://artlibre.org/licence/lal/en/#comment-315</guid>
					<description>[...] Free Art License [...]</description>
		<content:encoded><![CDATA[	<p>[&#8230;] Free Art License [&#8230;]
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 		<title>Comment on Free Art License 1.3 by: GNUvox @ FSC &#187; Blog Archive &#187; L&#8217;ombra della Siae sui contenuti liberi si dirada</title>
		<link>http://artlibre.org/licence/lal/en/#comment-314</link>
		<pubDate>Sat, 12 Apr 2008 22:46:37 +0000</pubDate>
		<guid>http://artlibre.org/licence/lal/en/#comment-314</guid>
					<description>[...] Una notizia del genere la si aspettava da tempo e finalmente &amp;#232; arrivata. Da qualche settimana, grazie al lavoro di alcuni membri di Frontiere Digitali e iQuindici, &amp;#232; possibile diffondere contenuti multimediali all&amp;#8217;interno di locali pubblici senza dover pagare il compenso alla Siae. Lo ha stabilito una liberatoria a tempo indeterminato (documento protocollato presso l&amp;#8217;Ufficio Multimedialit&amp;#224; al nr. 1/290/06/FDP) valida dal 25 luglio 2006. La liberatoria &amp;#232; valida per tutti i contenuti tutelati da licenze libere come Creative commons, Art Libre, Copyzero X e altre, compreso tutto il materiale del pubblico dominio. E a Roma c&amp;#8217;&amp;#232; gi&amp;#224; una gelateria che non si &amp;#232; lasciata sfuggire la ghiotta occasione&amp;#8230; Posted in Megafono, Occhio sul mondo &amp;#166; [...]</description>
		<content:encoded><![CDATA[	<p>[&#8230;] Una notizia del genere la si aspettava da tempo e finalmente &#232; arrivata. Da qualche settimana, grazie al lavoro di alcuni membri di Frontiere Digitali e iQuindici, &#232; possibile diffondere contenuti multimediali all&#8217;interno di locali pubblici senza dover pagare il compenso alla Siae. Lo ha stabilito una liberatoria a tempo indeterminato (documento protocollato presso l&#8217;Ufficio Multimedialit&#224; al nr. 1/290/06/FDP) valida dal 25 luglio 2006. La liberatoria &#232; valida per tutti i contenuti tutelati da licenze libere come Creative commons, Art Libre, Copyzero X e altre, compreso tutto il materiale del pubblico dominio. E a Roma c&#8217;&#232; gi&#224; una gelateria che non si &#232; lasciata sfuggire la ghiotta occasione&#8230; Posted in Megafono, Occhio sul mondo | [&#8230;]
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 		<title>Comment on Free Art License 1.3 by: Zebra Corporate version 1.11 release Thursday, april 10, 2008 - SLUniverse Forums</title>
		<link>http://artlibre.org/licence/lal/en/#comment-313</link>
		<pubDate>Fri, 11 Apr 2008 04:06:43 +0000</pubDate>
		<guid>http://artlibre.org/licence/lal/en/#comment-313</guid>
					<description>[...] Here's a link to a version of the GPL designed for artistic works ( Artlibre.org: Free Art License 1.3 ) and legally updated accordingly.   CC-BY-SA is also fairly similar, and probably more legally reputable. ( http://i.creativecommons.org/l/by-sa/3.0/us/88x31.png ) [...]</description>
		<content:encoded><![CDATA[	<p>[&#8230;] Here&#8217;s a link to a version of the GPL designed for artistic works ( Artlibre.org: Free Art License 1.3 ) and legally updated accordingly.   CC-BY-SA is also fairly similar, and probably more legally reputable. ( <a href='http://i.creativecommons.org/l/by-sa/3.0/us/88&#215;31.png' rel='nofollow'>http://i.creativecommons.org/l/by-sa/3.0/us/88&#215;31.png</a> ) [&#8230;]
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 		<title>Comment on Licencia Arte Libre by: Objetivo del trabajo &#171; Ignasi&#8217;s Weblog</title>
		<link>http://artlibre.org/licence/lal/es/#comment-312</link>
		<pubDate>Tue, 25 Mar 2008 11:21:27 +0000</pubDate>
		<guid>http://artlibre.org/licence/lal/es/#comment-312</guid>
					<description>[...] Los alumnos que escojan este trabajo deberán elaborar una comparativa o un informe del estado del arte de las herramientas jurídico-telemáticas disponibles para la gestión de los derechos de autor en la Red, haciendo hincapié en las diferencias del entorno jurídico-legislativo que las inspiran, así como en los ámbitos de aplicación para los que fueron ideadas. El trabajo deberá contemplar, como mínimo, una comparativa entre las licencias Creative Commons originadas en EE.UU. y posteriormente adaptadas a España y los acuerdos de licencia ColorIURIS, una herramienta creada en nuestro país, con más de dos años de vida y una veintena de países incorporados al proyecto. Una propuesta más amplia, dependiendo del interés y disponibilidad de los alumnos, podría incluir en la comparativa las licencias GNU GPL y/o FDL; e incluso, otras dos herramientas menos conocidas y documentadas originarias de Europa, como son la licencia Free Art francesa y la copyzero italiana. [...]</description>
		<content:encoded><![CDATA[	<p>[&#8230;] Los alumnos que escojan este trabajo deberán elaborar una comparativa o un informe del estado del arte de las herramientas jurídico-telemáticas disponibles para la gestión de los derechos de autor en la Red, haciendo hincapié en las diferencias del entorno jurídico-legislativo que las inspiran, así como en los ámbitos de aplicación para los que fueron ideadas. El trabajo deberá contemplar, como mínimo, una comparativa entre las licencias Creative Commons originadas en EE.UU. y posteriormente adaptadas a España y los acuerdos de licencia ColorIURIS, una herramienta creada en nuestro país, con más de dos años de vida y una veintena de países incorporados al proyecto. Una propuesta más amplia, dependiendo del interés y disponibilidad de los alumnos, podría incluir en la comparativa las licencias GNU GPL y/o FDL; e incluso, otras dos herramientas menos conocidas y documentadas originarias de Europa, como son la licencia Free Art francesa y la copyzero italiana. [&#8230;]
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